Copyright 2007-2012
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Leah Gordon (born Ellesmere Port, UK) is a photographer, filmmaker, curator and writer. In the 1980's she wrote lyrics, sang, and played for a feminist folk punk band. Leah makes work on Modernism and architecture; the slave trade, the enclosures, industrialisation; and grassroots religious, class and folk histories. Gordon’s film and photographic work has been exhibited internationally including the Museum of Contemporary Art, Sydney; the Dak’art Biennale; the National Portrait Gallery, UK and the Norton Museum of Art, Florida. She is the co-director of the Ghetto Biennale in Port-au-Prince, Haiti; was a curator for the Haitian Pavilion at the 54th Venice Biennale; was the co-curator of ‘Kafou: Haiti, History & Art’ at Nottingham Contemporary, UK; and was the co-curator of 'PÒTOPRENS: The Urban Artists of Port-au-Prince' at Pioneer Works, NYC in 2018 and MOCA, Miami in 2019. In 2022 she will be exhibiting and curating at documenta fifteen, Kassel.

CONTACT | Leahgordon@aol.com

Selected Exhibitions as Artist

2021
Origin Stories: Photography of Africa and Its Diaspora, Norton Museum of Art. FL, USA
The Kingdom of this World : Reimagined, Pensacola Museum of Art, FL, USA
Fuera de Lugar, Sabrina Amrani Gallery, Madrid, Spain

2019
The Body Says: I am a Fiesta, Norton Museum of Art, FL, USA
Format Festival19, Derby, UK

2018
Out of the Whirlwind’s Radiance, 50 GOLBORNE, London
Vernacular Universalism: Freemasonry in Haiti, The Clemente Center, NY NY, USA
Haiti Aqui, Fundacion Casa Cortes, Puerto Rico
Bordering the Imaginary, BRIC Cultural Center, Brooklyn, USA

2017
Hierophant, Nicodim Gallery, Bucharest, Romania
The Tailors of Port-au-Prince, Side Gallery, Newcastle, UK
Chita Tann, with Andre Eugene, Havre Magasinet Museum, Boden, Sweden

2016
Atlas [of the ruins] of Europe, CentroCentro Cibeles de Cultura Ciudadania, Madrid

2015
From Within and Without: The History of Haitian Photography, MOA|FL Museum of Art, Fort Lauderdale, USA
Meeting Point, Kunstverein Konstanz, Germany

2014
11ème Biennale de l’Art Africain Contemporain, Dak'art 2014, Senegal
Les Rencontres Photographiques de Guyane, French Guiana
Alles Maskerade! MEWO Kunsthalle, Memmingen, Germany
Ort Gallery, Birmingham, UK (Solo Show)
HOUSE 2014, Regency House, Brighton, UK
Médiathèque Intercommunale André Labarrère, Pau, France (Solo Show)
It’s Folk, Let’s Dance, 99 Mary St, Sheffield, UK

2013
Kanaval, PHI Centre, Montreal, Canada (Solo Show)

2012
Taboo, Museum of Contemporary Arts, Sydney
Kanaval, New Art Exchange, Nottingham (Solo Show)
Caste, Riflemaker Gallery, London (Solo Show)

2011
Kanaval, Side Gallery, Newcastle, UK (Solo Show)

2010
The Invisibles, Riflemaker Gallery, London (Solo Show)

2009
Kanaval, Photofusion, London (Solo Show)
Kreyol Factory, Parc de la Villette, Paris

Selected Exhibitions as Curator

2019
PÒTOPRENS | The Urban Artists of Port-au-Prince, (co-curating with Edouard Duval-Carrie) at MOCA, Noth Miami, FL, USA

2018
PÒTOPRENS | The Urban Artists of Port-au-Prince, (co-curating with Edouard Duval-Carrie) at Pioneer Works, Red Hook, Brooklyn, NY NY

2017
5th Ghetto Biennale 2017 - A Cartography of Port-au-Prince

2016
Guest Curator at the Outsider Art Fair NYC, Metropolitan Pavilion, NYC

2015
4th Ghetto Biennale 2015 - KREYÒL, VODOU and the LAKOU : forms of resistance, Port-au-Prince, Haiti.

2013
3rd Ghetto Biennale 2013: Decentering the Market and Other Tales of Progress, Port-au-Prince, Haiti
Toward a Creole Procession, (co-curated with Ranu Mukherjee) in collaboration with CCA at Luggage Store, San Francisco

2012
Kafou: Haiti, Art and Vodou, (co-curated with Alex Farquharson), at the Nottingham Contemporary, UK
In Extremis, (on curatorial team) at Fowler Museum, UCLA, Los Angeles & Musee de la Civilisation, Quebec City, Canada.

2011
The 2nd Ghetto Biennale, Port-au-Prince, Haiti.
Death & Fertility, adjunct curator, Haitian Pavilion at 54th Venice Biennale
Nouvo Rezistans, Institut Français, Port-au-Prince, Haiti

2009
1st Ghetto Biennale, director and co-curator, Port-au-Prince, Haiti

2007
Curator for sculpture commission for the International Museum of Slavery, Liverpool.

Selected Publications

2021
Leah Gordon, Everything that glitters ain't fishscale…navigating the abyss with Florine Démosthène’s mellifluous figuration, (Mariane Ibrahim 2021)
Leah Gordon (ed.), PÒTOPRENS: The Urban Artists of Port-au-Prince, (Pioneer Works Publishing 2021)
Leah Gordon, Kanaval, (Here Press 2021)

2018
Leah Gordon, You Can’t Always Curate Your Way Out! Reflections on the Ghetto Biennale, in Nanne Buurman, Sarah Dornhof, Birgit Hopfener & Barbara Lutz, (eds.), Situating Global Art : Topologies – Temporalities – Trajectories (Transcript 2018)
Leah Gordon, A Legacy of Abstruse Laws: Haitian Cultural Abstraction and the Paintings of Tomm El-Saieh, (ICA Miami 2018)

2017
Leah Gordon (ed.), Ghetto Biennale | Geto Byenal 2009-2015, (No Eraser Publishing 2017)

2016
Natasha Hoare & Rafal Niemojewski (ed.s), The New Curator, (Laurence King Publishing 2016)

M. Attah, B. Burbridge & C. Davies (ed.s), Self Styled, (Photoworks Annual Issue 23 2016)

2015 
Claire Tancons & Krista Thompson (ed.s), EN MAS’: Carnival and Performance Art of the Caribbean, (Independent Curators International (ICI) and the Contemporary Arts Center, New Orleans 2015)

Barbara Lynes (ed.), From Within and Without: The History of Haitian Photography, (NSU Art Museum Fort Lauderdale, USA 2015)

David Bindman (ed), The Image of the Black in Western Art, Volume 5 Part 1, The Twentieth Century: the Impact of Africa, (Harvard University Press 2014)

Dr. Stephanie Dathe & Dr. Axel Lapp (ed.s), Alles Maskerade!, (Museum Villa Rot & MEWO Kunsthalle 2014)

2013
Brook Andrews (ed), Taboo, (Museum of Contemporary Art, Australia 2013)

2012 
Leah Gordon, Kreyon Pèp La Pa Gen Gòm (The People’s Pencil has no Eraser), in Alex Farquharson & Leah Gordon (ed.s) 'Kafou: Haiti, Art and Vodou', (Nottingham Contemporary 2012)

Leah Gordon, Gede, The Poster boy of Vodou, in Don Cosentino (ed.) 'In Extremis: Death & Life in 21st Century Haitian Art' (Fowler Museum, UCLA & University of Washington Press)

2010
Leah Gordon, Kanaval: Vodou, Politics and Revolution on the Streets of Haiti, (Soul Jazz Publishing 2010)

Research, Production Grants & Awards

2019
The GRAIN bursary to support the making of new photographic work in the rural West Midlands.

2016
Invited for Artist residency at Hangar: Centre of Artistic Research, Lisbon funded by the Triangle Network

2015
Recipient of the 2015 Colección Patricia Phelps de Cisneros Travel Award for Central America and the Caribbean

2014
HOUSE festival commission for the project Caste | Cast at Regency Town House, Brighton

2012
Recipient of Research Institute for Media Art and Design (University of Bedfordshire) award for the Independent Curators International Curatorial Intensive in New York

Speaking Engagements

2020
Keynote Speaker at Panel Discussion: EDGING THE CENTRE – World Biennales at NIRIN, Sydney Biennale, Campbelltown Arts Centre, NSW Australia

2019
Keynote Speaker: Konesans: New Perspectives on Haitian Studies in Europe, Newcastle University, UK

2018
Afro-Gothic, Pioneer Works, Red Hook, Brooklyn, NY NY
Gruselkabinett - Kleist In Haiti, Kleist Festival, Frankfurt Oder, Germany
Art of Haiti: 1940s to the present at College Art Association, Los Angeles Convention Centre, Los Angeles
Black Mirror: Magic in Art, Arts University Bournemouth, UK

2017
Catalogues, Culture and Structural Adjustment, Ruskin School of Fine Art, Oxford

2016
Leah Gordon | Alternative Strategies in the Caribbean at ICI Curatorial Hub, NYC
Artist Talk, Havremagasinet, Boden, Sweden

2015
First International ICOM Dominican Republic: Museums for a Sustainable Society, Museo Memorial de la Resistencia Dominicana, Ciudad Colonial, Santo Domingo
After Revolution: Versions and Re-visions of Haiti, Institute for Black Atlantic Research, University of Central Lancashire, Preston
Artist Talk, Trampolinhuset, Copenhagen
Ghetto Biennale at Udstillingsstedet Q, Royal Academy Fine Art, Copenhagen
Intervolved Histories at Uncertain States Critical Visual Dialogues

2014
Biennials: Prospect and Perspectives, ZKM | Center for Art and Media, Karlsruhe, Germany
Alternative Methods: Art and Education, Futurecamp, Wysing Arts Centre, Cambridge
Perspectives: Barbara Kruger, Modern Art Oxford, UK
Transcultural Trajectories of Art History: Legacies of Modernity and Global Entanglements, Internationales Wissenschaftsforum Heidelberg, Germany
Collecting Geographies Conference, Global Collaborations, Stedelijk Museum, Amsterdam
Communities in Conversation, Konsthall C, Stockholm, Sweden
Artists’ Talk, Konsthallen Goteborg, Sweden
Artists’ Talk, Museum of Modern Art, Warsaw
Artists’ Talk, Centre of Contemporary Art, Derry-Londonderry
The Tailors of Port-au-Prince at the Newcastle Photography Festival

2013
‘The Ghetto Biennale’, Open School East, London
‘In Conversation’ with Michaelle Jean, ex Governor General of Canada, PHI Center, Montreal
‘Battle of Images’ invited speaker at CIC (Contemporary Image Collective), Cairo, Egypt

2012
International Congress on Global art, visuality and coloniality, invited speaker, Centro dos de Mayo, Madrid
TrAIN lecture, Chelsea College of Art, London

2011
'Global art education and the Biennale aesthetic', Soundings, 54th Venice Biennale, Italy
Artists’ Talk, SF Camerawork, San Francisco, USA

2010
Opening Forum of the 17th Sydney Biennale: Power, Poverty, Equality and Freedom (and how we relate to art...), invited speaker, Art Museum of NSW, Sydney:

2009
‘In Conversation’ at Maison Européenne de la Photographie, Paris.

Teaching

2013
Visiting artist, MFA in Social Practice, California College for the Arts, San Francisco
2011 – 2013
Senior Lecturer in Photography & Video Art at University of Bedfordshire
2003 – ongoing
University of the Creative Arts, Farnham: Visiting lecturer for BA Digital, Film and Screen Arts
2012
Visiting artist, MA in Photographic Arts, Paris 8, St Denis, Paris
2011
California College of the Arts, San Francisco for lecture programme and as visiting artist for MFA in Social Practice.
2008
Visiting artist, Dept. of Afro-American Studies at Bates College, Maine, USA.

Selected filmography and screenings

Ti Tonton Bat Tanbou (Little Uncle Plays the Drums) by Eugene Andre, Leah Gordon & Evel Romain 2018
The split screen film is an artistic gesture towards the transcendence of the borderline, and a transnational Hispaniolan sensibility.
2018
Bordering the Imaginary, BRIC Cultural Center, Brooklyn, USA

Atis-Rezistans: the Sculptors of Grand Rue: Leah Gordon 2008
DV 34 mins film essay documenting a collective of majority class Vodou artists in Port au Prince, Haiti and a meditation on the links between sex, death and creativity.
2013
Musée de la Civilisation, Québec, Canada (in exhibition)
2012
Museum of Contemporary Arts, Sydney, Australia (in exhibition)
Fowler Museum, UCLA, Los Angeles, USA (in exhibition)
Kafou, Nottingham Contemporary, UK (in exhibition)
2010
Musee de l'Homme, Paris, France
2009
World Nomads Film Festival, curated by Jonathan Demme, Mayles Documentary Theatre, Harlem
2009
Mercredis, Musee de l'Homme, Paris
Puerto Rico Ethnographic Film Festival (prize winner)
2008
Afro-American Studies Society, Bates College, Maine USA
Caribbean Studies Conference, Edinburgh

Bounda pa Bounda: A Drag Zaka; Leah Gordon 2008
DV video observational film that documents Bounda pa Bounda (Cheek by Arse), a character from Jacmel carnival, as he drags up in a sacred space before going onto the streets with his Rara band.
2019
A Slippery Land: Recent Short Films from Haiti
DuSable Museum, Chicago, USA
2014
Médiathèque Intercommunale André Labarrère, Pau, France
Les Rencontres Photographiques de Guyane, French Guiana
2012
Museum of Contemporary Arts, Sydney (in exhibition)
Nottingham Contemporary
2011
Side Gallery, Newcastle (in exhibition)
2009
Photofusion Gallery, London (in exhibition)

The Thames Leah Gordon 2005
DV 14 mins Poetic film essay exploring the mythology of rivers and the link between the Thames and the Slave Trade
Festivals
Zanzibar International Film Festival 2005
Jakmel Film Festival, Haiti 2005

A Pig's Tale, directed and produced Leah Gordon & Anne Parisio 1997
16mm film 54 mins, A piggyback ride of a documentary linking Haitian pigs, Vodou and US economic imperialism.
A Parisio Production for Channel 4 TV in association with Arte/ Crowing Rooster Arts Inc./ Dominant 7
Broadcasts & Screenings
23rd Oct 1997 Channel 4 TV
Nov 1997 Arte France
Dec 1998 Free Speech TV, PBS, USA as part of Just Solutions Series commemorating 50th anniversary of the Universal Declaration of Human Rights.
Prizes and festivals
Best Documentary - UK Environmental Media Awards - March 1998
Berlin Black Film Festival - commended - 1998
Montreal Film Festival - jury's special mention - May 1998
Tampere Film Festival - March 1999

Qualifications

1980-1983 BA Hons in Film & Photographic Arts from Polytechnic of Central London
2004-2006 MA in Film & Photographic Studies from University of Westminster