Qualifications::
1980-1983
BA Hons in Film & Photographic Arts from Polytechnic of Central London
1991-1992
Post Graduate Diploma in Photojournalism from London College of Printing
2004-2006
MA in Photographic Studies from University of Westminster
Short Biography::
Leah Gordon (born 1959 Ellesmere Port) is a photographer, film-maker and curator who has, in recent years, produced a considerable body of work on the representational boundaries between art, religion, anthropology, colonialism and folk history. In 2006 she commissioned the Grand Rue Sculptors from Haiti to make 'Freedom Sculpture', a permanent exhibit for the International Museum of Slavery in Liverpool and in 2008 she completed the film, 'Atis-Rezistans: the Sculptors of Grand Rue'. Continuing her relationship with the Grand Rue artists, Gordon organised and co-curated the Ghetto Biennale in December 2009. She has recently been involved in a range of projects as film-maker, photographer or curator, including films documenting experiences of homophobia in London, colonial legacy and the museum in Maputo and links between the Slave Trade and the River Thames; her photography book 'Kanaval: Vodou, Politics and Revolution on the Streets of Haiti' was published in June 2010 whilst her photography was shown in a solo show at Riflemaker Gallery. Gordon is currently on the curatorial teams for the first Haitian Pavilion at the 54th Venice Biennale and the major US show of Haitian art, 'In Extremis' at the Fowler Museum. UCLA, Los Angeles.
Selected Photography Exhibitions::
2011
Haiti Pavillion, New Orleans International Jazz Festival
2011
Black States of Desire, University Paris Diderot http://caar2011.caar-web.org/index.php?id=212
2011
Side Gallery, Newcastle
2010
The Invisibles, Solo show, Riflemaker Gallery, London
2010
Work shown in 'For Intérieur' curated by Michel Poivert at Voies-Off, Rencontres d'Arles, France.
2009
Kreyol Factory, Parc de la Villette, Paris
2009
Voo-Doo, Riflemaker Gallery, Soho, London
2009
Solo Show, Photofusion, London
2008
Kanaval, Institut Français, Port au Prince, Haiti
2007
Museum of Collaboration, Four Corners, London
2006
We’re all in the Gutter, Capitales Inconnues, FIAP Paris, Megnyita Budapest & Seoul
2005
Arte Naif Brasil Haiti, Museu Arte Brasileira & Museu Internacional de Arte Naif Brasil, Rio de Janeiro
2004
Kanaval, Brunei Gallery, SOAS London
2003
Ghost Train, Wiebke Morgan Gallery, Hoxton, London
1996
John Kobal Award, National Portrait Gallery, London
Publications::
2010
Kanaval: Vodou, Politics and Revolution on the Streets of Haiti, Soul Jazz Publishing
2010
Kanaval: A People's History of Haiti, Small Axe: Caribbean Platform for Criticism #33
2010
Took My Heart..., Haiti Rising: Haitian History, Culture and the Earthquake of 2010, ed. Martin Munroe,
Liverpool University Press (2010)
2008
The Emasculated Possession, Journal of Haitian Studies (vol 14 number 2)
Curating::
2012
Co-curating, with Alex Farquharson, Haitian Arts show at the Nottingham Contemporary
2012
Member of curatorial team for 'In Extremis', Fowler Museum, UCLA, Los Angeles
2012
Co-curating, with Ranu Mukherjee, 'Ancestors', Los Angeles
2011
Curating the 2nd Ghetto Biennale, Port-au-Prince, Haiti.
2011
Co-curating, with Daniele Geminini, Haitian Pavillion at Venice Biennale
2009
Founder, organiser and co-curator of the Ghetto Biennale held in Port-au-Prince, Haiti. download pdf review
2007
Free-lance curator for the International Museum of Slavery, Liverpool for Haitian sculpture commission.
2000
Co-curated ‘Catching the Spirit’, exhibition at October Gallery and organised a symposium exploring
Haitian art and its symbiotic relationship with Vodou.
1996
Curated the exhibition ‘Sacred Voodoo Flags of Haiti’ at the October Gallery.
1995
Curated and exhibited in ‘Haiti: Photos, Paintings and Ironworks’ at the October Gallery, London, WC1.
Speaking Engagements::
2011
Performing Resistance, Society for Caribbean Studies 35th Annual Conference, Liverpool Slavery Museum
2011
Lecture programme and social practice workshop at California College of the Arts, San Francisco.
2011
Guest speaker at the Triennial Meeting of the Arts Council of the African Studies Assoc. at UCLA, Los Angeles.
2010
Speaker at Indo-Caribbean Assoc., Warwick University - November
2010
Guest speaker at the Opening Forum of the 17th Sydney Biennale: Power, Poverty, Equality and Freedom
(and how we relate to art...), Art Museum of NSW, Sydney
2010
Artists panel for the 'Mumbo Jumbo' conference of Black Atlantic Arts and Religious Practice at Dept.
of World Art at UCLA, Los Angeles, USA.
2009
In conversation at Maison Européenne de la Photographie, Paris.
2008
Dept. of Afro-American Studies at Bates College, Maine, USA.
Teaching::
2011
Lecture in the Faculty of Arts, University of Derby, part of lecture series in collaboration with Quad Arts
2011
London College of Communication, guest tutor on BA Photojournalism
2003
University of the Creative Arts, Farnham (7 years)
BA Digital, Film and Screen Arts, Part-time practice tutor for "fact-based film and video production"
2002
Martin of Tours, London N1
Photography workshops for people with forensic histories, mental health problems and offending backgrounds
2000
Gay & Lesbian Arts and Media digital photography and LGBT representation (2 years)
Filmography and screenings::
Atis-Rezistans: the Sculptors of Grand Rue; Leah Gordon 2008
DV 34 mins film essay documenting a collective of slum based Vodou artists in Port au Prince, Haiti and a meditation on the links between sex, death and creativity.
2010
Femmes en Mythologie, Musée du Montparnasse, Paris
2010
Embassy of Haiti, Washington DC, USA
2010
Okra, Upstairs at the Ritzy, Brixton, London
2010
Caribbean Film Corner, Portobello Film Festival, London
2010
Musee de l'Homme, Paris
2009
World Nomads Film Festival, curated by Jonathan Demme, Mayles Documentary Theatre, Harlem
2009
Mercredis, Musee de l'Homme, Paris
2009
Puerto Rico Ethnographic Film Festival (prize winner)
2008
Afro-American Studies Society, Bates College, Maine USA
2008
Caribbean Studies Conference, Edinburgh
Fetos de Elefantes; Leah Gordon 2007
DV loop video installation about link between colonialism, barbarity and the museum focusing on an exhibit of elephant foetus' at Maputo Museum of Natural History, Mozambique.
2007
Museum of Collaboration, Four Corners, London
We're All in the Gutter...; Leah Gordon 2006
DV loop a psycho-geographical installation piece about homophobia in London
2006
Capitales Inconnues, FIAP Paris, Megnyita Budapest & Seoul
The Thames; Leah Gordon 2005
DV 14 mins Poetic film-essay exploring the mythology of rivers and the link between the Thames and the slave trade
2005
Zanzibar International Film Festival
2005
Jacmel International Film Festival, Haiti
Lineaments of the Lwa; Leah Gordon, Ranu Mukherjee, Maggie Roberts 2000
DV 30 Minutes Film Essay exploring the Vodou spirits in Haitian life, art and culture, produced by Orphan drift studios.
2000
'Feels Like Vodou Spirit', October Gallery London
2007
Ritual: Late at the V&A, Victoria & Albert Museum, South Kensington, London
A Pig's Tale; Leah Gordon, Anne Parisio 1997
Beta, 52mins - documentary linking pigs, Vodou and US economic imperialism
A Parisio Production for Channel 4 TV in association with Arte/ Crowing Rooster Arts Inc./ Dominant 7
1997
Channel 4 TV broadcast as part of Baa Baa Zee season
1997
Arte France broadcast
1998
Free Speech TV, PBS, USA as part of Just Solutions Series commemorating
50th anniversary of the Universal Declaration of Human Rights.
1998
Best Documentary - UK Environmental Media Awards
1998
Berlin Black Film Festival - commended
1998
Montreal Film Festival - jury's special mention
1999
Tampere Film Festival
Commercial Photography and Video Commissions::
Gordon has undertaken photographic and video commissions in many countries for UK-based aid agencies including Amnesty International, Christian Aid, Save the Children and Help Age International. Gordon has experience covering post-conflict refugee camps in the Congo and Ethiopia, HIV in sub-Saharan Africa, deforestation in the Amazon and illegal mining in the Philippines, religious persecution in Myanmar, community organisations in the Chilean Andes and the immediate aftermath of the earthquake in Haiti.
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